“I paint myself because I am so often alone and because I am the subject I know best.” -Frida Kahlo
“When you look at Kahlo’s art, there is no getting away from the woman herself. Even if you have never engaged with her work, never stopped in a gallery to peer at one of her small canvases, you will be familiar with her face – its slight monobrow and moustache, its smooth black hair and full mouth.
“With the familiarity of her look comes also the fame of her personality and her story. Ever since Hayden Herrera’s influential biography was published in 1983 – and even more since the Hollywood biopic, Frida, starring Salma Hayek, was released in 2002 – Kahlo’s highly coloured and passionate life has been as eagerly consumed, or even more eagerly consumed, than her highly coloured and passionate art. Kahlo’s life seems to be a kind of template for how a female bohemian should behave, with her vivid clothes, rebellious social behaviour, affairs with men (including Trotsky) and women, and her tempestuous marriage to fellow artist and communist Diego Rivera.
“Given this adherence to an ideal artistic temperament and biography, it’s hardly surprising that Kahlo occupies such a comfortable niche in modern celebrity. Her most famous collector is Madonna; fashion designers claim her as their “muse”; the US postal service has put her on a stamp in order to show their “commitment to diversity”; Volvo has used her image in advertisements. And the National Portrait Gallery is currently showing not her work, but photographs of Kahlo herself.” -The Guadian
Never before has the extraordinary life of the Mexican artist Frida Kahlo been framed in relation to the full spectrum of the historical and cultural influences that created her. The Life and Times of Frida Kahlo explores the 20th-century icon who became an international sensation in the worlds of modern art and radical politics. Among those interviewed in the documentary are Carlos Fuentes and Carlos Monsivais. The film is narrated by Rita Moreno; Mexican singer Lila Downs is the voice of Frida Kahlo.“….(more)
by Carlos Fuentes
“Published in its entirety, Frida Kahlo's amazing illustrated journal documents the last ten years of her turbulent life. These passionate, often surprising, intimate records, kept under lock and key for some 40 years in Mexico, reveal many new dimensions in the complex personal life of this remarkable Mexican artist. The 170-page journal contains the artist's thoughts, poems, and dreams–many reflecting her stormy relationship with her husband, artist Diego Rivera–along with 70 mesmerizing watercolor illustrations. The text entries, written in Frida's round, full script in brightly colored inks, make the journal as captivating to look at as it is to read. Her writing reveals the artist's political sensibilities, recollections of her childhood, and her enormous courage in the face of more than 35 operations… (more)
Directed by Julie Taymor
"Nominated for 6 Academy Awards including Salma Hayek for Best Actress, Frida is a triumphant motion picture about an exceptional woman who lived an unforgettable life. A product of humble beginnings, Frida Kahlo (Selma Hayek) earns fame as a talented artist with a unique vision. And from her enduring relationship with her mentor and husband, Diego Rivera(Alfred Molina), to her scandalous affairs, Frida's uncomprimising personality would inspire her greatest creations! Also starring Antonia Banderas, Ashley Judd, Edward Norton, and Geoffrey Rush” (more)…
BOOK: Frida Kahlo, 1907-54: Pain and Passion
by Andres Kettenmann
The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th-century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state.
Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin. Her life and work were more inextricably interwoven than in the case of almost any other artist. Two events in her life were of crucial importance. When she was eighteen, a bus accident put her in hospital for a year with a smashed spinal column and fractured pelvis, and it was in her sick bed that she first started to paint. She was to suffer the effects of the accident her whole life long, and was particularly pained by her inability to have children. Then, aged twenty-one, she married the world-famous Mexican mural artist Diego Rivera.
Kahlo’s arresting pictures, most of them small-format self-portraits, express the burdens that weighed upon her soul: her unbearable physical pain, the grief that Rivera’s occasional affairs prompted, the sorrow her childlessness caused her, her homesickness when living abroad, her longing to feel that she had put down roots, and a profound loneliness. But they also declare her passionate love for her husband, her pronounced sensuousness, and her unwavering survival instinct. (more...)