“I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.” -Frida Kahlo
(photo by Martin Munkácsi)
“Kahlo reconnected with Rivera in 1928. He encouraged her artwork, and the two began a relationship. The couple married the next year. During their early years together, Kahlo often followed Rivera based on where the commissions that Rivera received were. In 1930, they lived in San Francisco, California, where Kahlo showed her painting Frieda and Diego Rivera at the Sixth Annual Exhibition of the San Francisco Society of Women Artists. They then went to New York City for Rivera’s show at the Museum of Modern Art and later moved to Detroit for Rivera’s commission with the Detroit Institute of Arts.
“In 1932, Kahlo incorporated more graphic and surrealistic elements in her work. In her painting, Henry Ford Hospital (1932), a naked Kahlo appears on a hospital bed with several items — a fetus, a snail, a flower, a pelvis and others — floating around her connected to her by red, veinlike strings. As with her earlier self-portraits, the work was deeply personal, telling the story of her second miscarriage.
“Kahlo and Rivera’s time in New York City in 1933 was surrounded by controversy. Commissioned by Nelson Rockefeller, Rivera created a mural entitled Man at the Crossroads in the RCA Building at Rockefeller Center. Rockefeller halted the work on the project after Rivera included a portrait of communist leader Vladimir Lenin in the mural, which was later painted over. Months after this incident, the couple returned to Mexico and went to live in San Angel, Mexico.
“Never a traditional union, Kahlo and Rivera kept separate, but adjoining homes and studios in San Angel. She was saddened by his many infidelities, including an affair with her sister Cristina. In response to this familial betrayal, Kahlo cut off most of her trademark long dark hair. Desperately wanting to have a child, she again experienced heartbreak when she miscarried in 1934.
“She and Rivera went through periods of separation, but they joined together to help exiled Soviet communist Leon Trotsky and his wife Natalia in 1937. The Trotskys came to stay with them at the Blue House for a time in 1937 as Trotsky had received asylum in Mexico. Once a rival of Soviet leader Joseph Stalin, Trotsky feared that he would be assassinated by his old nemesis. Kahlo and Trotsky reportedly had a brief affair during this time.” –Biography
Never before has the extraordinary life of the Mexican artist Frida Kahlo been framed in relation to the full spectrum of the historical and cultural influences that created her. The Life and Times of Frida Kahlo explores the 20th-century icon who became an international sensation in the worlds of modern art and radical politics. Among those interviewed in the documentary are Carlos Fuentes and Carlos Monsivais. The film is narrated by Rita Moreno; Mexican singer Lila Downs is the voice of Frida Kahlo.“….(more)
by Carlos Fuentes
“Published in its entirety, Frida Kahlo's amazing illustrated journal documents the last ten years of her turbulent life. These passionate, often surprising, intimate records, kept under lock and key for some 40 years in Mexico, reveal many new dimensions in the complex personal life of this remarkable Mexican artist. The 170-page journal contains the artist's thoughts, poems, and dreams–many reflecting her stormy relationship with her husband, artist Diego Rivera–along with 70 mesmerizing watercolor illustrations. The text entries, written in Frida's round, full script in brightly colored inks, make the journal as captivating to look at as it is to read. Her writing reveals the artist's political sensibilities, recollections of her childhood, and her enormous courage in the face of more than 35 operations… (more)
Directed by Julie Taymor
"Nominated for 6 Academy Awards including Salma Hayek for Best Actress, Frida is a triumphant motion picture about an exceptional woman who lived an unforgettable life. A product of humble beginnings, Frida Kahlo (Selma Hayek) earns fame as a talented artist with a unique vision. And from her enduring relationship with her mentor and husband, Diego Rivera(Alfred Molina), to her scandalous affairs, Frida's uncomprimising personality would inspire her greatest creations! Also starring Antonia Banderas, Ashley Judd, Edward Norton, and Geoffrey Rush” (more)…
BOOK: Frida Kahlo, 1907-54: Pain and Passion
by Andres Kettenmann
The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th-century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state.
Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin. Her life and work were more inextricably interwoven than in the case of almost any other artist. Two events in her life were of crucial importance. When she was eighteen, a bus accident put her in hospital for a year with a smashed spinal column and fractured pelvis, and it was in her sick bed that she first started to paint. She was to suffer the effects of the accident her whole life long, and was particularly pained by her inability to have children. Then, aged twenty-one, she married the world-famous Mexican mural artist Diego Rivera.
Kahlo’s arresting pictures, most of them small-format self-portraits, express the burdens that weighed upon her soul: her unbearable physical pain, the grief that Rivera’s occasional affairs prompted, the sorrow her childlessness caused her, her homesickness when living abroad, her longing to feel that she had put down roots, and a profound loneliness. But they also declare her passionate love for her husband, her pronounced sensuousness, and her unwavering survival instinct. (more...)