“With Jackson there was quiet solitude. Just to sit and look at the landscape. An inner quietness. After dinner, to sit on the back porch and look at the light. No need for talking. For any kind of communication.” -Lee Krasner
(Jackson Pollock and Lee Krasner in the studio, 1949)
Love and Work
“In 1942, Pollock met Lee Krasner, a Jewish contemporary artist and an established painter in her own right, at a party. She later visited Pollock at his studio and was impressed with his art. They soon became romantically involved.
“Around this time, Peggy Guggenheim began expressing interest in Pollock’s paintings. During a meeting she had with the painter Pete Norman, he saw some of Pollock’s paintings lying on the floor and commented that Pollock’s art was possibly the most original American art he had seen. Guggenheim immediately put Pollock on contract.
“Krasner and Pollock married in October 1945, and with the help of a $2,000 loan from Guggenheim, bought a farmhouse in the Springs area of East Hampton, on Long Island. Guggenheim gave Pollock a stipend to work, and Krasner dedicated her time to helping promote and manage his artwork. Pollock was happy to be in the country again, surrounded by nature, which had a major impact on his projects. He was energized by his new surroundings and by his supportive wife. In 1946, he converted the barn to a private studio, where he continued to develop his “drip” technique, the paint literally flowing off of his tools and onto the canvases that he typically placed on the floor.” -Biography